Grading is a look.”Īfter you’ve corrected the color across your entire project, you’re ready to add some color effect. “If you have 60 shots and they’re all completely different, you want to go in and make sure that every one of them is completely balanced before you color grade,” says Dougan. Color correcting first to ensure you start with balanced, natural-looking colors before you color grade means you start on an even footing. This infuses your project with a visual tone and conveys the emotions you want the audience to feel. During this phase, you can apply an overall style to the coloring of your film. The next step after color correction is color grading. The idea there is you’re adding style.”Ĭolor grading gives your footage an edge. And then color grading is more of an after effect. The idea would be to make sure that there are equal reds, greens, and blues in your image. “What you want to do is bring tones to a neutral, balanced look. “Color correction is not about style, it’s more about color accuracy,” says filmmaker Colin Dougan. Correcting white balance helps all your colors be more true to life. If your camera or lighting situation made your whites appear blue in your footage, you would correct those areas to be closer to true white throughout all your clips during this phase. The goal of this technical process is also to match the colors between each of your video clips so they are unified.ĭuring color correction, you can tweak things like exposure, contrast, and white balance and ensure that important hues like skin tones are accurately represented. Color correction is the first step, and it involves fixing issues with the color of your footage so it matches how hues and tones appear in the world. While the terms color correction and color grading are sometimes used interchangeably, they represent two distinct phases in the video editing process. Some cinematographers even bring in specialists called colorists to handle these steps. Because of this, making color adjustments is a critical part of the post-production process in filmmaking. Raw video footage looks a bit off from the colors we see in the real world. Mix multiple LUTs to create new ones, convert Filmic Pro LUTS, and even preprocess RAW photos for added flexibility.No matter how good your lighting setup is when you shoot a video, your camera won’t be able to capture colors as accurately as the human eye does. With VideoLUT's auto white balance, Mackbet table detection and correction, split toning, color wheels, and other adjust tools, you have everything you need to perfect your videos and images. You can also match colors from images and build new LUTs from the result, and use RGB, HSL, CMYK, LAB, and Skin Masks and Curves for added control. cube 16, 32, or 33 (DaVinci Resolve 3D Cube LUT) with other apps or your desktop. png LUT tables, and save or import cube files to iCloud, Dropbox, and other storage apps.īut that's not all – VideoLUT also lets you visualize LUTs in 3D, export them as LUT images (.png), and share them as. VideoLUT supports a variety of LUT formats, including DaVinci Resolve 3D Cube LUT (.cube) and Autodesk 3D LUT (.3dl). You can even create your own LUTs and share them with other users via QR codes or apps like Lumafusion. It comes with powerful editing tools that allow you to color grade your videos and images with ease. Whether you're a professional filmmaker or a casual iPhone photographer, VideoLUT is the perfect app for you. Plus, VideoLUT allows you to record videos and take photos with your imported LUTs, giving you the ultimate creative control. Transform your videos and images into cinematic masterpieces with VideoLUT, the ultimate color-grading app! With over 2500 presets, you can easily import, edit, and apply LUTs to create stunning videos and photos.
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